Steve Ramos Media Writer. Strategist. Maker. Published in QZ/Atlantic Media, Fast Company and NY Mag.
SR Media is a creative hub based at Union Hall, a workspace located in Cincinnati’s historic Over-the-Rhine neighborhood. In order to implement a total quality philosophy involving all creative services, SR Media sources creative talent from its network of valued independent contractors.
I work as a writer, strategist and project manager providing brand campaigns, interactive marketing and innovation strategy to companies, startups and agencies.
SR Media’s micro-employment model delivers high-quality work with affordable pricing.
The designers, developers and strategists in our community understand the business, creative and innovation goals set by agencies, large companies and startups.
I’m also a long-form writer and my business, culture and technology stories have been published in QZ/Atlantic Media, Fast Company and NY Mag.
How can we collaborate? Let’s have a conversation and discover.
Phone: 513-295-4488 – Email: email@example.com – Skype: steveramosmedia
Twitter: @steveramosmedia – Instagram: @originalfeed – Pinterest: @steveramosmedia
Let's talk, because the first, collaborative sparks begin with a creative share
let’s collaborate on something innovative
Steve Ramos Media
Address: c/o Union Hall 1311 Vine Street, Cincinnati Ohio 45202, USA
Telephone: 513 295-4488
Total Quality Philosophy of a Creative Hub source creative talent from a valued network
Delivering high quality work with affordable pricing.
SR Media is a member of Cintrifuse, an entrepreneurial network in Cincinnati. To implement a total quality philosophy involving all creative services, SR Media sources creative talent from its network of valued independent contractors.
t my core, I’m a writer. I strive for my writing to ignite colleagues and clients. Sometimes, my writing is in support of client services. It’s often diverse including brand campaigns, video scripts and marketing materials.
I’m also a long-form writer and my stories have been published in QZ/Atlantic Media, Fast Company and NY Mag. In long-form, I strive to advocate innovative work and provide thought leadership in the landscapes of business, culture, science and technology.
How can we collaborate? Let’s share ideas and discover.
Discover White Space to help clients ignite product and service innovation.
I discover industry White Space to spark innovative products and services for startup and corporate clients.
Embrace new ideas from project designers, developers and researchers.
I treat each client project as an opportunity to discover new insights with leading designers, developers and researchers. I freely share ideas and experiences with team members and clients in order to ignite customer satisfaction.
Interactive Marketing Community. Connectivity. Interactivity.
Brewing Heritage Trail – Hybrid App – Content Management System – Website
At my core, I’m a writer. My writing is included brand campaigns and scripts. I’m also a long-form writer and my stories have been published in QZ/Atlantic Media, Fast Company and NY Mag. In my media writing, I strive to advocate innovative projects and ignite thought leadership involving business, culture, design and technology. How can we collaborate? Let’s share ideas and discover.
provided strategy for The Brewery District Community Urban Redevelopment Corporation in support of interactive experiences along the Brewing Heritage Trail in Cincinnati, Ohio.
The interactive marketing project included 360-degree Photography, Audio Tour, Augmented Reality Video, Content Management System, Interactive Map, Points of Interest and a Website.
I collaborated with We Have Become Vikings Partners Brandon Hickle and Jason Snell, UX/UI Designer Ryan Cayabyab and Senior Developer Sean C. Davis. WSP | Parsons Brinckerhoff and FRCH Design Worldwide were part of the comprehensive project.
SR Media is a member of Cintrifuse, an entrepreneurial network based in Cincinnati.
In order to implement a Total Quality Philosophy, SR Media sources creative talent from its network of valued, independent contractors.
Writer. Strategist. Maker.
SR Media is a creative hub for diverse design, strategy and writing services.
Email: firstname.lastname@example.org – Phone: 513-295-4488 – Skype: steveramosmedia
A Creative Hub.
The micro-employment model at SR Media delivers high-quality work at affordable pricing. The data analysts, designers and developers in our community understand the business, creative and innovation goals set by agencies, large companies and startups.
Twitter: @steveramosmedia – Instagram: @originalfeed – Pinterest: @steveramosmedia
Writing SR Media is a creative hub for diverse writing services
Services include: Brand Launch Campaigns, Naming and Marketing Materials.
At my core, I’m a writer and I strive for my writing to ignite colleagues and clients.
Services include: Change Management, Narrative Design and Team Dynamics.
I work as a strategist providing Interactive Marketing Projects and Innovation Concepts to agencies, corporations and startups.
Services include: Community Building, Content Strategy, Publicity and Media Solutions.
I’m a long-form writer and my business stories have been published in ‘QZ/Atlantic Media,’ ‘Fast Company’ and ‘NY Mag.’
Services include: Brand Campaign Concepts and Innovation Strategy Workshops.
My collaborations with technologists ignite successful go-to-market strategy.
Services include: 360-degree Photography, Augmented Reality Videos and Mobile Apps.
I collaborate with artists, data analysts, developers and UX/UI designers to provide clients with diverse storytelling skills.
Services include: Branded Pop-Up Shops, Corporate Summits and Festival Events.
My collaborations with artists and developers deliver high-quality, interactive marketing projects to clients. The unique combination of offline/onsite installations and online activations also provide a solid return on investment.
Services include: AR/MR/VR Activations, Mobile Apps and Web Series.
I collaborate with artists, data analysts, developers and UX/UI designers to provide clients with new storytelling platforms.
Services include: Digital Activations, Educational Technology and Websites.
My collaborations with artists, data analysts and developers deliver unique, immersive experiences to clients. The combination of offline/onsite installations and online activations also deliver compelling, cross-platform content.
Services include: Cross-Platform Content and Walkable Storytelling.
I collaborate with artists, data analysts, developers and UX/UI designers to provide clients with unique, interactive storytelling platforms.
Services include: Media Strategy and PR Newswire Releases.
My collaborations with major media companies help provide high-quality, communications strategy to clients.
Services include: Big Ideas, Brand Squares and Campaign Concept.
My collaborations with thought leaders help ignite successful campaign strategies and key positioning.
Services include: Storytelling for handheld devices.
I collaborate with artists, data analysts, developers and UX/UI designers to provide clients with unique, interactive storytelling for handheld devices.
Services include: Storytelling for GPS Platforms.
My collaborations with artists, data analysts, developers and UX/UI designers to provide clients with unique storytelling for handheld devices.
How a Branded Pop Up Uses Interactivity to Showcase IoT Tech SR Media provided Marketing, Onsite Support, Strategy and Writing.
Interactive Marketing - Losant Pop Up Branded Pop-Up Shop
SR Media provided Marketing, Onsite Support, Strategy and Writing.
For a Holiday Pop Up, tech startup Losant sources Christmas slapstick to introduce everyday people to IoT platforms
BY STEVE RAMOS
DATELINE: Over-the-Rhine, Cincinnati, OH
A collection of IoT products representing holiday experiences from trimming the tree to cooking family meals generates ear-to-ear grins from visitors to Losant’s Holiday Pop Up. There’s also plenty of laughter thanks to interactive displays inspired by fan-favorite, holiday comedies.
Wrapped with festive design and playful cheer, the How the Internet of Things Saves Christmas Pop Up may be the most playful storefront throughout Cincinnati’s Over-the-Rhine (OTR) entertainment and retail district. Charlie Key, Co-Founder of IoT platform company Losant, still can’t believe how the interactive marketing project came together in a matter of weeks.
More than a holiday retail space, How the Internet of Things Saves Christmas is a public debut for Losant, a Cincinnati-based Internet of Things (IoT) platform company working towards the release of its initial development kits and platforms.
I collaborated with Losant co-founders Brandon Cannaday and Charlie Key on marketing, onsite support and writing on the Iot Saves Christmas Branded Pop Up.
It’s impressive working alongside the tight-knit, Losant development team. Onsite, they install a series of low-fi interactions using smart paint and speakers to highlight how accessible, affordable and available IoT installations can be to consumers no matter their tech IQ. Offsite and online, they continue to polish the software to support the Pop Up’s activations.
The Pop Up’s theme, as explained by Losant co-founders Brandon Cannaday and Key, captures the project perfectly. They want the Holiday Pop Up to be a fun and vibrant space for everyday people to experience the benefits of IoT products and technologies via interactive tree lights and smart appliances.
“The Pop Up is a fun way to allow people to learn about and experience how the Internet of Things can add value to our lives,” Key tells the team.
Cannaday and Key also want to excite and educate passersby that IoT products and services are for consumers as much as large, retail, travel and consumer packaged goods corporations.
During the Pop Up’s three days of operation, visitors talk with the Losant team about what makes a Smart Home ‘smart’ and the best devices for climate control, security as well as audio and video entertainment systems.
The interactive project is also a good opportunity for Cannaday and Key to remind visitors that OTR is Cincinnati’s startup hub as well as a popular entertainment district. Key and Cannaday’s first company, Modulus, came to life just a block down Vine Street. Meanwhile, Losant also looks to grow in OTR.
Providing onsite support to the Losant team, it’s inspiring watching visitors interact with the twinkling lights and asking Losant developers how they can implement IoT tech at their own homes.
Listening to these animated conversations between experienced software developers and IoT immigrants, the success of the Pop Up becomes clear. Losant is not showcasing their proprietary tech at a trade show to corporate IT professionals. They’re polishing their message to everyday consumers at a public space.
By convincing people that IoT is an asset accessible to everyone no matter their tech IQ, well, then, the Holiday Pop Up storefront has done its job.
A night out during the holidays to meet family and friends at popular bars and restaurants often leads to good times.
Thanks to its unique Pop Up storefront, Cannaday, Key and their Losant teammates help make holiday get-togethers more memorable than ever. They want their Pop Up visitors think about what’s next for their smart homes and connected devices involving IoT. If you can do that with a laugh, a smile and as sense of wonderment, well, then How the Internet of Things Saves Christmas Pop Up has done its job.
I collaborated with Losant co-founders Brandon Cannaday and Charlie Key on marketing, onsite support and writing on How the Internet of Things Saves Christmas Branded Pop Up.
Let’s talk about Interactive Marketing projects that can help your business.
Email: steve@steveramosmedia Phone: 513-295-4488 Skype: steveramosmedia
How I Helped Brink Transform Conferences in the Live-Streaming Era design an experience that ignites happenstance
How I Helped Brink Transform Conferences in the Live-Streaming Era
BY STEVE RAMOS
DATELINE: Palm Desert, CA
When the goal is to build and deliver a tech conference that looks beyond the mainstream and embraces the concept of Open Source Innovation, one of the results is a panel like no other.
Sitting onstage to my left, G. Seth Shostak, Senior Astronomer and Director, Center for SETI (Search for extraterrestrial intelligence) research. Standing next to Shostak is Paul Hynek, a partner in Avatron Smart Park, an immersive theme park developer, talking about advances in motion capture storytelling while working at his former employer, Giant Studios.
The title of the panel I’m moderating is ‘Aliens and Avatars: How Hollywood Fantasy and SETI Reality Intersect in the Search for Life,’ but Shostak and Hynek take the discussion to new heights. Before long, they’re talking about big data, the fluid inspiration between Hollywood moviemaking and outer space research and how unexpected partnerships often lead to the greatest discoveries.
- Embrace Open Source Innovation
Brink2015.1, the inaugural summit of Brink Institute, a Seattle-based, technology think-tank, is underway and already the effects of Open Source Innovation are taking root at its Desert Palm, CA locale.
Over multiple conversations leading to the night before the June conference at the JW Marriott Desert Springs Resort, Brink co-founder and Singularity University marketing leader Celia Black repeats her desire to embrace the spirit of the Creative Entrepreneur and ignite new discoveries by bringing together experimenters, futurists and technologists from diverse industries.
My writing, strategy and onsite support help design what Black always imagined Brink to be: a community of diverse experimenters, futurists and technologists brought together by the concept of Open Source Innovation.
When I reconnect with Black and her institute colleagues in Desert Palm for street team support, including moderating four panels, it’s exciting to watch our strategy come to life.
Many conferences strive for depth within their respective ecosystems, promising attendees a chance to network with their industry’s leaders, at a premium cost worthy of their roster of presenters.
By stepping away from the mainstream, Brink2015.1 is an experiential risk-taker and a chance to prove that opportunities for game-changing discoveries increase when you put technologists from vastly different industries, whether A.I. or Life Enhancement, onstage.
- Embrace the Spirit of the Creative Entrepreneur
Other driving forces behind Brink2015.1 are the spirit of the creative entrepreneur and the goal of creating a space for experimentation.
Ignite a conversation between Shostak and Hynek and see what happens. Complement them with technologists Jim Clark and Vivek Wadhwa discussing accelerated innovation, fast futures and questioning the value of tech forecasting.
The results are inspirational sparks that remind the diverse futurists in attendance that although we may work in different industries, the creative umbrella we share is a belief in the power of the next disruption and how our shared stories help ignite that game-changing disruption.
As Black told the Brink 2015.1 audience at the close of the three-day summit, “you have to tell stories.”
More than the latest software or social apps, stories are the greatest assets a creative entrepreneur has for advancing his or her game-changing ideas.
For many of the Brink 2015.1 attendees, storytelling also helps move the needle regarding consumer perceptions around new technologies involving A.I. and life extension.
There are always going to be new digital tools and additional platforms for engaging audiences. However, nothing inspires a community like great stories.
SR Media provided messaging, onsite support, strategy and writing for the Brink 2015.1 Technology Summit.
It’s noteworthy that Brink Institute is building its debut summits in an Era of Live Streaming via social apps like Snap and Facebook Live and software engineers busy developing VR conferences and festivals.
Throughout the weekend, many of us share Brink 2015.1 stories digitally and use these stories to build a global community of Brink advocates and partners.
All of us in attendance at Brink 2015.1 understand that we live, work and create digitally and globally. Yet, spending time together at the conference reminds us that offline and onsite inspiration matter. In fact, the ideas we co-create, onsite grow in impact thanks to live streaming.
What’s key to making our onsite inspiration red-hot is happenstance; those unexpected exchanges between creative entrepreneurs that spark the innovative discoveries that make live-streaming apps worthwhile.
It’s the main thing software developers have not attained when it comes to debuting that VR version of the must-attend festival. How do you build an algorithm capable of reproducing those chance conversations and encounters that ignite game-changing discoveries?
In the case of Brink 2015.1, how does one use Open Source Innovation to increase the potential for positive happenstance?
During the opening night of Brink 2015.1, thought leaders including, Eric Shuss, CEO of cognitive robotics software firm, CogBotics, Hynek, and Jim Karkanias, a senior research executive at Microsoft, share laughs and insights well past a nighttime screening and panel discussion on writer/director Alex Garland’s tech thriller Ex Machina and its portrayal of A.I.
As the conversation continues offstage and interacts with numerous Brink 2015.1 attendees, there’s no question that powerful inspirations often occur via unlikely conversations.
By the end of the weekend, after shared presentations and offstage conversations, it’s happenstance that stands out as the key driver of next, great discoveries.
Black and I also agree that it’s happenstance that can separate Brink summits from mainstream conferences that place value on sticking to strict schedules.
Work is already underway on creating Beta and Pre-Event excitement for future Brink summits and continuing to discover the best festival format for sharing stories
Most of all, strategy is underway designing a conference model that best ignites happenstance.
After all, one of the many things we learned at Brink 2015.1 is that happenstance ignites the most impactful stories.
Interested in transforming your trade show summit or festival experience?
Email: email@example.com Phone: 513-295-4488 Skype: steveramosmedia
Creative sparks of inspiration courtesy of a design conference named ‘OFFF’ and an art museum exhibition titled ‘ON!’
The theater lights switch on; the psychedelic music thumps to life and her trancelike, digital designs of flora and animal life flash rapidly across a cinema-sized screen as graphic artist Sara Blake walks on-stage the middle venue of Cincinnati’s sprawling Aronoff Center for the Arts.
Blake may appear tiny and delicate like one of the celebrity Mara sisters but her work roars with CGI complexity, dazzling combinations of colors and beautifully rendered lines that reflect her passion for nature.
For the next sixty minutes on this snowy March morning, Blake brings pop art and dreamlike imagery to an audience waist deep in the consumer brands business and the impact is transformative.
The sell-out crowd fills the auditorium for OFFF, a daylong conference about art, innovation and design featuring leading creative disruptors like Brendan Dawes and James Victore and organized by Barcelona-based artist and OFFF co-founder Héctor Ayuso.
The branding professionals in the audience lean in during Blake’s TED-like presentation because many of them share similar career dynamics with the 28-year-old artist.
Sending forth a steady stream of images from behind her laptop, Blake talks about the bridges she’s building across creative communities as an in-demand freelance illustrator for consumer clients like Nike and Ford, her day job as an art director for a Fortune 500 corporation as well as an exhibiting artist.
Blake is also part of the entrepreneur eco system via ZSO NYC, her Manhattan-based boutique introducing her illustrated work on a limited edition silk scarf with more fashion accessories planned.
Blake aka ZSO references Samuel Beckett and Silicon Valley start-ups to inspire the OFFF audience to “Try again. Fail again. Fail better.” The words resonate with Blake who practices fearlessness daily, from being on-stage now to starting her fashion business.
“What I love about it is when you fold up the scarf it’s just form and color and texture,” Blake tells us the following day. “Then, when you do wear it, you unfold it and you see the reveal. I just love that it’s this illustration that exists outside of a wall and outside a computer screen and living someone’s life with them, which is really cool. It’s 3D that uses a lot of textures and I’m putting it on another texture, which is the silk. I never set out to do a fashion line or anything with fabric but it just sort of happened.”
OFFF pulls Blake away from rehab work on her new West Village Manhattan home and brings her on-stage alongside friends and fellow New York artists Jon Burgerman and Joshua Davis. Blake’s OFFF weekend also includes her first museum show, ON! Handcrafted Digital Playgrounds at Cincinnati’s Contemporary Arts Center (CAC) and curated by Ayuso as a sixth-month, interactive extension of the one-day OFFF symposium.
ON! Handcrafted Digital Playgrounds includes work by Blake as well as artists from both sides of the Atlantic including Spanish design siblings Juan and Alejandro Mingarro, co-founders of the Barcelona design studio Brosmind, who create a Pop Art-inspired, life-size pedal car for the show, and James Paterson, a Montreal-based designer, animator and artist who crafts a sprawling sculpture out of paper airplanes as well as a work station so visitors can make their own.
True to the show’s themes of play and interaction with museum visitors, Blake interprets three of her digital illustrations into puzzle pieces and the main illustration of a butterfly for the game tabletop for an installation titled “Primary Colors,” inviting people to work shoulder-to-shoulder and assemble one of the more difficult puzzle they’re likely to ever see.
In a nearby gallery, Blake also collaborates with Davis on another installation that allows visitors to use a prototype Leap Motion 3D gesture control device to manipulate and control video projections of Blake’s ten abstract designs (one for each finger). With visitors sweeping their hands back and forth like ninja yogis, the impressive results are unique, momentary acts of artistic creation and a mix of what museumgoers create via body movement with Blake’s original designs.
Slowly, steadily, with each new visitor, Blake’s drawings and final digital compositions experience a new life and inspire all the creative people in attendance to embrace the hybrid qualities in their own work.
“I think both pieces I have in the exhibition are like nothing that I have ever done before,” Blake adds over coffee at the adjacent 21c Museum Hotel. “Usually my output is just a flat image. Sometimes I never even print them out. I only see them on the screen. So it’s great to be able to have two pieces that are in a space and people can interact with and that are two layers of something. I have never done before. Plus the fact that it’s in Cincinnati and I did not have the work officially planned out before I left New York is very exciting for me. I love how Hector, Josh and I figured everything out as we were setting up for the exhibition today. I think you have to let the space dictate what the work is going to be and let the audiences dictate what they’re going to be. You have to relinquish control a little bit.”
Blake shares easily and openly about her techniques and inspirations both digitally with fans via her website’s blog and Twitter feed as well as in person. She talks about growing up in Richmond, Virginia and like many New York transplants how she couldn’t wait to get to Gotham, first as a New York University graphic design student and now as a working artist.
Her West Village home also functions as her studio and she shows photos of the intimate space to prove just how much good work can come from tight quarters.
At her home studio, Blake also maintains an easy juxtaposition between the corporate branding work and her personal artwork. For every client challenge, like trying to get the likeness of Lebron James just right for Nike House of Hoops store on 34th Street or a collaboration with her singer/songwriter sister for a leather goods designer, she’s able to immediately brush the work aside and reach for something more personal like the logo for the 2010 TEDx Brooklyn conference or her ongoing series of typography, which as we speak is up to the letter “C,” drawings that are natural and realistic with a hint of the avant-garde.
Blake talks passionately about her love for drawing animals and how with her private work she lets go and lets her drawings decide the journey. Hers is a natural work grounded in realistic details; something closer to the Neo-Expressionists, perhaps inspired by frequent afternoons at the Guggenheim looking at paintings by Anselm Kiefer. The point is her work balance means by the end of the day she’s no longer bound by corporate standards of marketing and she can tackle new projects like her participation in ON!
After coffee, Blake and I return to the CAC in time for an opening night lecture by Davis and to watch the crowds streaming into the museum galleries. The next day, she continues her whirlwind arts weekend with a quick trip to SXSW to participate in the Cut/Paste/Grow crowd-sourced, live design show before returning to New York to prepare for an upcoming show at Philadelphia’s Slingluff Gallery and reboot with her corporate clients.
Standing aside and watching visitors stop, pick up a handful of puzzle pieces and get to work on “Primary Colors,” Blake soaks in her first exposure to the museum world. At the other end of the floor, larger crowds take turns using the Leap Motion 3D controller to create swirling wall murals based on her designs.
Watching people interact with Blake’s installations for the first time, ON! Handcrafted Digital Playgrounds grows in its scale and ambition and yes, utter playfulness. It’s transformative and inspiring to watch artists like Blake make creative shifts and experience self-innovation. After all, the very essence of creativity is to try something new no matter the risk.