“For me, it is very intimate when there is a strong connection between you and the image,” Frammartino says matter-of-factly. “And the space that holds the image is very interesting to me.”
“Some of my friends said I should get a publicist just to tell people that I directed the movie, because I’m not getting any credit,” Greg Mottola told us yesterday.
Director Park Chan-wook shares what’s different (and not) about his English-language debut ‘Stoker,’ following South Korean hits ‘Oldboy’ and ‘Sympathy for Lady Vengeance’
“People talk about how there’s no flair in bar tending but there’s this other type of flair,” says “Hey Bartender” filmmaker Douglas Tirola, who also produced the movie via his company, 4th Row Films. “It’s so sexual and beautiful the way bartenders stir and shake their drinks and put the ingredients in the shaker.”
I’m on a journey. True. Lifelong. No metaphors here and you’re sharing the journey with me. We may come from different backgrounds; attended schools of varying reputations but we are finally here together. Urban convergence thanks to shared beliefs, goals and dreams.
I seek out partnerships with marketing and branding professionals to make full use of my diverse storytelling skills.
“Cutie and the Boxer” director Zachary Heinzerling, convinced his documentary about boxing painter Ushio Shinohara and his artist wife Noriko was too offbeat for Sundance, blanks out the congratulatory call and jumps, jumps, jumps throughout his Williamsburg, Brooklyn apartment.